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The Adam Glass and John Patrick Owatari-Dorgan attempt the sisyphean task of watching every movie in the ever-growing Criterion Collection. Want to support us? We’ll love you for it: www.Patreon.com/LostInCriterion
The Adam Glass and John Patrick Owatari-Dorgan attempt the sisyphean task of watching every movie in the ever-growing Criterion Collection. Want to support us? We’ll love you for it: www.Patreon.com/LostInCriterion
Episodes

6 hours ago
6 hours ago
It's week six our wandering journey through the Zatoichi the Blind Swordsman boxset and we get some of our favorites of the bunch. Zatoichi the Outlaw (Satsuo Yamamoto, 1967) is perhaps the most politically interesting of the films so far, introducing us to an teetotaling anarchist samurai preaching about agricultural co-ops but also showcasing some pretty egregious stereotypes about blind people. Zatoichi Challenged (Kenji Misumui, 1967) gives Zatoichi a kid again, and finds our hero fighting the exploitation of labor, both within a textile sweatshop and to save the kid's dad from forced labor as a porno plate producer. Lastly, Zatoichi and the Fugitives (Kimiyoshi Yasuda, 1968) is the most blood-soaked (and spurting) Zatoichi we've seen yet but also co-stars the phenomenal Takashi Shimura.

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