Lost in Criterion

Rainer Werner Fassbinder's only sci-fi work, World on a Wire asks the important questions: what if we asked an AI to simulate the Matrix as a 1970s German television miniseries, and then scrapped that garbage and just had a great screenwriter, fantastic cinematographer, and masterful director make it instead. While dealing with the same questions of humanity and existentialism that many tales of virtual prisons do, World on a Wire also gives us a jumping off point to talk about tech innovation, forced consumer trend, treating algorithms like gods, and how cars are bad. It's a pretty amazing production, which is unsurprising from Fassbinder and his phenomenal team behind and in front of the camera.