Lost in Criterion

We return to Truffaut this week, who we haven't seen since we finished the Adventures of Antoine Doinel. In fact this is our first Truffaut film in which Doinel is not a character. Jules and Jim, instead, is a period piece about a trio of friend and lovers whose situation becomes untenable. How Truffaut, and author Henri-Pierre Roche, choose to resolve the untenability is the sticking point of the film for us, particularly because Roche's original novel is "semi-autobiographical" and the ending is one aspect that earns that"semi".